Where perception meets imagination
I have held a camera for as long as I can remember. Over time, its role has shifted—from documenting the world to reconstructing it. Today, the camera is not merely a tool, but a mirror, a stage, and a means of entering the surreal—where I act not only as the subject and the maker, but as the initiator of the very concepts that give each image its form.
I am the sole presence in my work: the subject, the photographer, and the composer. Within a single frame, I often appear multiple times—sometimes twice, sometimes dozens—assuming different roles and perspectives. These layered self-portraits become visual dialogues, exploring identity as something fluid, fragmented, and continually redefined. Although my images may appear as portraits, they are not portraits in the traditional sense; they are visual constructions—illustrations of ideas made visible.
My images are constructed from photographic elements I create, combined with additional fragments and, at times, digitally generated components. Through a process of assembly, distortion, and recomposition, I build worlds that are at once precise and impossible—real in detail, yet surreal in logic.
At the core of my work lies an ongoing exploration of time, aging, memory, and inner transformation. I am drawn to moments of transition—thresholds where certainty dissolves and new meanings emerge. The recurring figure in my images is not only myself, but a universal presence: a witness to change, vulnerability, and persistence.
Rather than offering answers, my work creates spaces for reflection—where perception is unsettled and imagination takes hold. It is within this tension that meaning begins to form.